“沉睡三千年，一醒驚天下”的三星堆遺址🏤，是中華文明璀璨星河中明亮而神奇的一顆。
羅丹是“現代雕塑之父”，他的作品中飽含對生命👩🏻🏫、自然的歌頌👨🎤、熱愛與憂思🤷🏼♀️。
在天美平台舉辦的特展——“青銅之光：三星堆與羅丹的超時空對話”展出了許多三星堆、金沙遺址出土文物和羅丹及其同時代雕塑家的作品🫁，讓我們一起來詳細了解展品背後的故事吧👌！
第二部分 以人傳神
“人”是三星堆遺址出土青銅器與羅丹雕塑的重要表現形式✫。三星堆青銅器與中原地區青銅器最大的區別之一就在於直接鑄造人像來進行供奉和祭祀🎨，對“人”的特別關註同樣成為羅丹創作理念中最具代表性的思想意蘊👧🏼。
黃金面具
· 商代後期（公元前1300年—前1100年）
· 高約28厘米🏎，寬約23厘米
· 2021年出土於四川廣漢三星堆遺址五號祭祀坑💆🏼，K5:3
· 四川省文物考古研究院藏
· Late Shang Dynasty (1300B.C. - 1100B.C.)
· H. c. 28cm; W. c. 23cm
· Unearthed from No.5 sacrificial pit at the Sanxingdui Site in Guanghan, Sichuan, in 2021,K5:3
Collection of Sichuan Provincial Cultural Relics and Archaeology Research Institute
出土時擰成一團，經清理、展開成現貌。金面具僅存約半🚛，其左半部分的額🍿、眉、眼及部分鼻🕉、口和下頜部均已缺失，右半部分保存較好💥，僅額👰、眉及部分眼部受損。金面具的面部整體瘦長🕦；巨眼呈半月狀，上緣平直；眼下有一道半弧形的凸起褶皺，與眼部下緣弧度相近⚅；尖鼻🧗🏿♂️，呈立體三角形💦；口部呈長條狀🎂，中鏤空🟡；下頜向外突出🧘🏻♀️，呈窄條帶狀🔌，與口部平行；耳部較長🥏，外廓轉角圓鈍⏬，上部微外凸🥉，耳內飾勾卷紋🏌🏻♀️，耳垂有圓形穿孔。據目前研究推測🐾🏫，該金面具應是覆於曲面頭像上使用。
金面具成型工藝復雜🕓，作為三星堆遺址出土的典型器物🔔，應與宗教祭祀活動有關，其造型獨特🖕🏼、技藝精湛，是中國黃金製品的藝術瑰寶。
The gold mask was twisted when it was just unearthed. Later, it was cleaned and unfolded to the shape we see today. While the forehead, eyebrow, eye, and parts of the nose, mouth, and lower jaw on the left half is missing, the right half is better preserved, with damages only to the forehead, eyebrow, and part of the eye. The gold mask features an overall slender and elongated face. The large eyes are half-moon shaped with flat upper edges. There is a semi-arc raised fold below each eye, similar in curvature to the lower edge of the eye. The nose is pointed and in a three-dimensional triangular shape. The mouth is long and rectangular with a hollowed center. The lower jaw juts outward, forming a narrow strip parallel to the mouth.The ear is relatively long, with rounded and blunt corners, slightly protruding at the top, decorated with Goujuan Wen (勾卷紋, curl-shaped pattern) inside, and the earlobe has circular perforation. Research concludes that the gold mask was likely used to cover a curved surface of a head.
The gold mask demonstrates intricate craftsmanship.As a typical artifact unearthed from the Sanxingdui Site, it was used on religious and ceremonial occasions. Unique design and superb craftsmanship make it a precious art piece among ancient Chinese gold ware.
戴面紗的女人
· 朱塞佩·克羅夫（1810—1869）
· 漢白玉
· 約1853年完成
· 高51.5厘米🚴🏿♀️，寬28厘米，深24厘米
· Giuseppe Croff (1810 - 1869)
· White Marble
· About 1853
· H.51.5cm; W.28cm; Pr.24cm
朱塞佩·克羅夫是意大利雕塑家🧘🏼♀️，在位於米蘭和科莫湖之間的倫巴第區工作🚴🏽♀️。在奧地利皇帝慶祝其加冕為倫巴第國王時⚂，克羅夫是少數幾個接到皇帝訂單的雕塑家之一。克羅夫曾深受新古典主義的影響，他不斷精進大理石雕刻技藝，極盡古典主義之美🛀🏿。這尊雕像惟妙惟肖，讓人產生一種女人戴著透明面紗的感覺，給人留下深刻的印象。
Giuseppe Croff was an Italian sculptor, who once worked in the Lombardy region between Milan and Lake Como. Giuseppe Croff was one of the few sculptors commissioned by the Austrian emperor to create artworks to celebrate his coronation as the King of Lombardy. Deeply influenced by Neoclassicism, Croff continuously honed his marble carving skills and showcased the charm of classicism. This lifelike sculpture portrays a woman wearing a transparent veil, leaving a profound impression on readers.
展覽時間：
2023年12月13日至2024年2月1日
展覽地點🥶：
天美平台一層臨展廳
（上海市寶山區南陳路333號）
開放時間🌦：
周一至周日8:30-16:30(16:00停止入館）
校內師生憑本人一卡通入館🫰🏻，無需預約🧖🏻♂️👇🏽。
校外觀眾采取網上預約方式入館，掃描下方二維碼或關註“天美平台”微信公眾號，點擊“個人預約”。
/地址/
上海大學博物館
（南陳路333號）
